I specialise in alternative firing techniques, such as Saggar firing and Raku, resulting in unpredictable random results.
A low fired white porcelain clay is used to enhance the colours and patterns left by flames passages, combustible materials and the atmospheric conditions in the kiln.
My work is strongly influenced by the natural landscapes of Central Australia, glaciers, volcanos and erosion patterns. Due to this process, every piece is truly unique, non functional and one of a kind.